C.s.lawrence biography

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  • File:Fannie Virginia Casseopia Lawrence 1863.jpg

    DescriptionFannie Virginia Casseopia Lawrence 1863.jpg
    English: Fannie Virginia Casseopia Lawrence born a slave in Virginia just before the Civil War. Saved 1863, and moved to Brooklyn where she was baptised by Henry Ward Beecher. Library of Congress metadata follows:

    Title: Fannie Virginia Casseopia Lawrence, a redeemed slave child, 5 years of age... / Kellogg Brothers, photographers, 279 Main St., Hartford, Conn. Creator(s): Kellogg Brothers, photographer Date Created/Published: c1863. Medium: 1 photographic print on carte de visite mount : albumen ; 10 x 6 cm. Summary: Photograph shows a full-length portrait of the young girl with a drum, facing front. Reproduction Number: LC-DIG-ppmsca-11210 (digital file from original item, front) LC-DIG-ppmsca-11211 (digital file from original item, back) Rights Advisory: No known restrictions on publication. Access Advisory: Use digital images. Original served only by appointment because material requires special handling. For more information see,(https://www.loc.gov/rr/print/info/617_apptonly.html) Call Number: LOT 14022, no. 176 [P&P] Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.p

    Author: C.S.Lawrence

    ANGELS & DEMONS

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    Teach Your Dynasty Well

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    Revolving Doors

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    You Callin’ Get your skates on Lazy?

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    Lawrence Weiner

    American artist (1942–2021)

    Lawrence Weiner

    Lawrence Weiner in 2003

    Born

    Lawrence Charles Weiner


    (1942-02-10)February 10, 1942

    New York City, US

    DiedDecember 2, 2021(2021-12-02) (aged 79)

    New York City, US

    Known forConceptual art

    Lawrence Charles Weiner (February 10, 1942 – December 2, 2021) was an artist born and raised in New York City. One of the central figures in the formation of Conceptual Art in the 1960s,[1] Lawrence Weiner explored the potentials of language as a sculptural medium.[1] For him language could be presented in any format able to discourse with typical art subjects such as: language installed on a wall, printed as text in a book or catalog, spoken or performed in a film, spoken aloud in conversation, simply remembered, et cetera;[1] as Lawrence explains in 1970:

    "As to construction please remember that... there is no correct way to construct the piece as there is no incorrect way to construct it. If the piece is built it constitutes not how the piece looks but only how it could look."[2]

    Weiner divided his time between his studio practice in New York City and his boat, The 'Joma' in Amsterdam. He believed in the importance of making

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