Haegue yang biography
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Haegue Yang
Haegue Yang
b. Seoul, 1971; lives and deeds in Songster and Seoul
Migratory DMZ Birds hold Asymmetric Lens
2020
Tee-Cher Tee-Cher Holder (Great Tit)
Hou-Ke-Kyo Vessel (Japanese Bush Warbler)
Duiitt Vessel (Gray-Backed Thrush)
Soapstone, 3-D resin
Courtesy asset the person in charge and kurimanzutto, Mexico Expanse / Creative York
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Haegue Yang
South Korean artist (born 1971)
Haegue Yang (Korean: 양혜규; born December 12, 1971) is a South Korean artist primarily working in sculpture and installation. After receiving her B.F.A from Seoul National University in 1994, Yang received an M.A. from Städelschule where she now teaches as a professor of Fine Arts. She currently lives and works in Berlin and Seoul.
With the statement “I believe that out of the alienation one can mobilize the unusual strength to sympathize with the others,” Yang seeks to embrace vulnerability, thus exploring themes that may include “individual and national identity, displacement, isolation, and community.” Yang also ensures an ambiguity to avoid “tying herself to one [identity] based on gender, race or geography.”[1] Therefore, Yang's work often places disparate household objects, including yarn, light fixtures, and fans, into alternative configurations, exploring meanings they can take on outside of their typical functional uses.[2]: 7 She is particularly well known for her installations incorporating venetian blinds that transform galleries through their filtering of light, segmentation of space, and large scale that requires audiences to find multiple viewpoints in order to se
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haegue yang
1971, Seoul, South Korea
Haegue Yang seeks to communicate without language in a primordial and visual way: often complementing her vocabulary of visual abstraction with sensory experiences that include scent, sound, light and tactility. Combining industrial fabrication and folk craftsmanship, Yang explores the affective power of materials in destabilizing the distinction between the modern and pre-modern. Yang’s unique visual language extends across various media (from paper collage to staged theatre pieces and performative sculptures), and materials (Venetian blinds, clothing racks, synthetic straw, bells and graph paper) that are torn, lacquered, woven, lit and hung. Her artistic explorations stem from material-based concerns, accompanied by philosophical, political and emotionally charged readings of historical events and figures. Her ongoing research is empowered by underlying references to art history, literature and political history, through which she re-interprets some of her recurrent themes: migration, postcolonial diasporas, enforced exile and social mobility. As a result, these pieces link various geopolitical contexts and histories in an attempt to understand and comm