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Blackstone (2011)
Steve Seeley and Studio Dialog paint a gritty picture of heritage and struggle with their opening for Blackstone, Showcase Channel's gripping Aboriginal drama. In the sequence, mounds of dusty earth blow across archive photos and snapshots of modern-day tribe life as the First Nation children branch out from their ancestors' shadows.
Creative Director STEVE SEELEY at Studio Dialog details the creation of the title sequence for us.
SS: Blackstone is an unmuted exploration of First Nations’ power and politics. This raw, intense, and authentic drama tells the story of the fictional Blackstone First Nation, suffering disintegration by its own hand – the result of the corruption of its chief and council. From within the community, a new generation of leaders rise up and fight to create lasting and substantial change.
Ron E. Scott, the creator of Blackstone came to us looking for an opener that matched the raw grit of the show. We wanted to create something that would have enough detail in it so that something new would reveal itself each time you watched it.
The first thing we did was photograph assets from the Glenbow Museum, which has an excellent collection of artifacts, photographs, and art from the First Nations people
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Though our time in the cities we visited on our cross-country tour was short, we managed to hit a couple of wonderful, yet very different museums along the way. In Tulsa, we spent a few hours exploring the Philbrook Museum of Art.
Front facade of the Philbrook Museum of Art
My Jacksonville readers will be familiar with the Cummer Museum of Art in Jax. The Philbrook is, to me, like the Cummer on steroids. Like the Cummer, the Philbrook was once a private residence, which was donated to the city of Tulsa by its owners, oilman Waite Phillips and his wife Genevieve. Once we entered the museum doors, we found ourselves in a gorgeous, domed center hall, light streaming through the oculus in the center of the dome.
Center hall at the Philbrook
Philbrook oculus
Just walking the halls of this Renaissance style villa, built in 1927 and designed by architect Edward Buehler Delk for the Phillips as “a place where there two children could entertain friends” ( Imagine the sleepovers you could have! ), is a pleasure in itself.
Corridor at the Philbrook
The museum houses a varied and extensive permanent collection of art, ranging from African & Asian collections, Native American art to Italian Renaissance and a surprising and delightful modern collection.