Piotr kamler biography of donald
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One of the Polish greats, Kamler made most of his classic animations in France, where he forged working relationships with musique concrete composers like Luc Ferrari, Francois Bayle, and Bernard Parmegiani. The latter soundtracks “The spiderelephant” (1968) with wondrous avant-whimsy. The film itself takes us into a glowing otherworld inhabited by the eight-legged pachyderm of the title. Don’t worry about the narration in French, just relax into this exquisitely rendered tone-and-texture poem of crinkly iridescent lines and mottled patches of pink, violet, and grey. Every shot is like a Rothko if his career had been diverted into children’s storybook illustration.
If you enjoy “The spiderelephant”, try out Kamler’s similar “La planète verte” – or the quite different atmosphere / look of “Delicious Catastrophe.” Between 1977 and 1982, Kamler devoted five years of his life to creating a full-length animated science fiction movie called Chronopolis – then, possibly completely shagged out, he returned to Poland and switched artistic lanes to sculpture.
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I remember when I first saw a film by the Polish animator Piotr Kamler. It was so completely unalike to conventionally linear and text-based narratives and I immediately felt that I had found something timelessly novel and unique. Kamler’s protagonists seem to explore the unfathomable and mysterious relationship between movement and time, matter and space.
First I wanna present Kamler’s only full length film which took an astonishing five years to complete between 1977 and 1982: Chronopolis, an Egyptian-flavored cybernetic opus that immediately sucks you into a transcendent alternate universe with its own laws of physics, space, time, and dream-logic.
The version below is shortened to half of the original duration, but it’s the only one I could embed. You can watch the full movie here. I also found a version with a haunting alternative ambient score, which I like so much that I would recommend to watch this first:
Chronopolis — An Alternative Score
Chronopolis, 1983 (extract)
And here’s another short film, the one that made me discover this genius.
Une Mission Éphémère, 1993