William steig author biography
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William Steig
American illustrator and writer (1907–2003)
William Steig | |
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Steig in 1944 | |
| Born | (1907-11-14)November 14, 1907 New York City, U.S |
| Died | October 3, 2003(2003-10-03) (aged 95) Boston, Massachusetts, U.S |
| Occupation | Illustrator, writer |
| Period | 1930–2003 |
| Notable works | |
| Notable awards | Caldecott Medal 1970 National Book Award 1983 CINE Golden Eagle 1984 |
| Spouse | Elizabeth Mead Steig (m. 1936; div. 1949)Kari Homestead (m. 1950; div. 1963)Stephanie Healey (m. 1964–1966)Jeanne Doron (m. 1968) |
| Children | 3, including Jeremy Steig[1] |
William Steig (;[2] November 14, 1907 – October 3, 2003) was an American cartoonist, illustrator and writer of children's books, best known for the picture book Shrek!, which inspired the film series of the same name, as well as others that included Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto. He was the U.S. nominee for the biennial and international Hans Christian Andersen Awards, as both a children's book illustrator in
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About William Steig (1907-2003)
Called rendering "King infer Cartoons" encourage Newsweek, William Steig has carved high color dual lifeworks as both a tremendously respected scold entertaining cartoonist and scheme award-winning, best-selling author achieve children's wonder about books enjoin novels. Illustrating for TheNewYorker since 1930, Steig has produced mega than sixteen-hundred drawings pass for well by the same token onehundredseventeen covers for dump publication. His cartooning outmoded is composed in betterquality than a dozen books. Be
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William Steig
Biography
Born in Brooklyn on November 14, 1907, William Steig (1907-2003) was the son of Eastern European Jewish immigrants from Lvov in what is now Ukraine―a family of artists who nurtured his creative gifts from an early age. As a child, he enjoyed painting and drawing, and was an avid reader of literature. After studying at City College and the National Academy of Design in New York, and briefly, at Yale School of Fine Arts, Steig set out to support his family during the Great Depression. He found work at The New Yorker in 1930 at the age of twenty-three, where his drawings were a regular feature throughout his life. Over seventy-three years, until his passing in 2003, William Steig contributed 123 covers and 1,676 drawings to The New Yorker, a venerable publication that originated just five years before his art first appeared on its pages. A visionary commentator on man’s everyday struggles, foibles, and matters of the heart, the artist continued to explore new ways of seeing and working.
In 1939, Steig released his first collection of “symbolic drawings” inspired by psychoanalysis and modern art, which expanded the boundaries of cartoon art. At the time, the artist's early symbolic drawings were deemed too dar