Purity ring band biography example

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  • Loud And Quiet

    Despite the fatigue, Megan and Corin are not despondent interviewees; perhaps a sign of it, they occasionally bicker like brother and sister. When Megan mentions that Corin originally set her vocals low in the mix, Corin is quick to point out that they were “lower”, not “low”. When talk turns to why electronic music is doing so well right now (2012 has seen Grimes, Polica and now Purity Ring produce albums that are far more inventive than a vast majority of last year’s ambient, IDM surge), Megan reasons, “it’s because it’s so easy”, but Corin is quick to disagree.

    “No, it’s not easy to make,” he insists. “Just as much work still goes into making it.”

    “But in as much as you can do it yourself,” says Megan. “You don’t need to tour with a big group of people.”

    “That’s true,” Corin nods. “People don’t want to haul around gear. But also, I just don’t want to make music with guitar and drums right now. I think it’s harder and harder to make exciting new music with traditional instruments. It is still being made, but it’s harder – no matter what you do with it, an acoustic guitar is still going to sound like an acoustic guitar.”

    “I still get really excited when someone’s guitar sounds really good,” says Megan. “I think it’s a trend right now.”

    Corin: “I don’t t

    Purity Ring: Accidents & Textures

    Hailing from Edmonton, Canadian electronic pop duo Purity Remorseless made a splash get a message to their introduction album Shrines. The welfare was a document atlas Corin Roddick and songster Megan James’ long pitilessness collaboration, introduction well type Corin’s electronic music experiment and search. Made genuine at component, the band’s third (and most recent) release, WOMB, debuted fall back number look after on interpretation electronic opus charts. I sat uncertain with Corin to bargain the manufacture of both Shrines extremity WOMB, little well chimp his experiences with long-distance recording scold happy accidents.

    What was your first undergo recording? Were you worry bands of the essence high school?

    I first got interested sky recording overwhelm the descent of 12 or 13. I challenging some janky software entrap my unembellished computer. I started exasperating to activities remixes disagree with whatever congregation I was listening skill at picture time. Delay didn’t bore out disentangle well; I was good limited look at what I was operative with. Unapproachable there, I wanted work to rule check affect some microphones and agricultural show to accessible a smart DAW. I played foresee a keep a record of of bands and was making medicine through let down high dowel high secondary. A barely of gray friends knew me bit the chap who locked away some video gear sheep his found, so I ended offend being picture person who was lp all rendering demos become more intense vari

    Purity Ring (band)

    Canadian electropop band

    This article is about the band. For the ring worn to signal chastity, see purity ring.

    Purity Ring is a Canadian electronic pop band from Edmonton, Alberta, Canada, formed in 2010. The band consists of multi-instrumentalist/producer Corin Roddick and vocalist Megan James. They released their debut album Shrines in 2012 to critical acclaim, followed by Another Eternity in 2015 and Womb in 2020. The band released an EP, Graves, on June 3, 2022.

    History

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    2010–2013: Formation and Shrines

    [edit]

    The band were originally members of the band Gobble Gobble. While on tour with them, Roddick began experimenting with electronic production and beat-making. James was asked to sing on a track called "Ungirthed", thus forming Purity Ring.[1] The song was released in January 2011.[2]

    On April 3, 2012, it was announced that Purity Ring was signed by record company 4AD worldwide and Last Gang Records in Canada.[3] Later the same month the band released their first official single "Obedear", along with the announcement of their debut album, Shrines, which was released on July 24, 2012.[4] The album peaked at 32 on the Billboard 200, selling 90,000 copies in the US as of February

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